I always try to stay humble and not let these things go to my head. How did you react when you found out that you got ranked #45 by DJ Mag on the Top 100 DJs list? I still think it’s crazy that I’m the only Danish DJ in the DJ Mag Top 100 DJs poll so I hope to see a lot more alongside me in the future. Likewise, there are also a lot of both underground and well-known artists in dance music coming up. We have vocalists like MØ working with guys like Major Lazer and gaining fans in her own right. What was the Danish electronic music scene like when you started your music career compared to what it is right now? My main aim for 2020 is to look to the future without expectations just only through hard work and positivity. I am thankful for what ‘Solo Dance’ has given me and how it has helped me grow as an artist. I think it’s actually more now! ‘Solo Dance’ was a turning point for me that really put me onto a lot of radars music fans, producers, industry people more so than it had before. Your 2016 hit single, ‘Solo Dance’, garnered over 500 million streams and multi-platinum certifications in over 14 countries. Although I didn’t work directly with Katy Perry in the studio, I loved adding my Martin Jensen touch to ‘Bon Appétit’ because I’m a huge fan of pop music. The Vamps were super fun and James Arthur was great. Speaking of collaborations, which artists have you had a great experience working with in your career?Īll of the artists I’ve ever collaborated with, both on-screen and in the studio, have all been amazing experiences. To revive it once again for 2020 is a great way to start the year. Everything from the vocals over to the production was so much fun! It’s funny because ‘Day N Nite’ was such a big hit and continues to be played everywhere from clubs to edits at festivals. Martin Jensen: I really enjoyed working on their edit with my own take. Kenny Ngo: How was it like to work with Stefy De Cicco and Ben Hamilton again to produce the remake of Kid Cudi’s ‘Day N Nite’?

Martin jensen sound engineer